14|AULA cd of the people surveyed. We coincided in aspects such as the relation between the luminaries and the space, which got an adequate value; the color temperature, emphasis on warm tones; the coherence between the color of the light and the materials, a very adequate relation. Both males and females emphasized a pleasant sensation in general (80% and 90% respectively) with a predominance of feeling intimate. Other emotions associated to this image, by the people surveyed, where: tranquility, cozy, seductive, etc. Preliminary Conclusions (image 4) The emotion evoked in me by image 4 was fear, as a result of the contradiction produced by the size of the luminaries, small and warm, in relation to the large space where they are located. It conveys a sensation of infinity. Final Conclusions After administering the questionnaire I came to the conclusion that this image is perceived differently depending on who sees it. The formal values, as well as the relation between color of light and materials, were not very clear. The emotions evoked in the people surveyed were very different depending on the sex of the individuals. For females the image was pleasant, more specifically inspirational, while for the males it was the opposite; for them the image evoked unpleasant feelings, specifically fear. Having obtained such extremes in the results of the survey, I have come to the conclusion that some images can reflect different moral values depending on sex. In my case, fear was the emotion evoked by the image as a result of the aforementioned contradictions in form and, the lack of protection exhibited by the luminaries. Nevertheless, I believe that the feeling of inspiration comes from the association we have interiorized between the symbol of a lightbulb and an idea. Other emotions associated with this image were: imprisoned, oppressed, stressed, etc. Preliminary conclusions (image 5) The emotion that image 5 evoked in me was fascination, as a result of the contrast created by the lower part of the image (dark) and the higher part (bright). Final conclusions After administering the questionnaire, I came to the conclusion that my general preliminary results had not coincided with the general results obtained in the survey. I had graded the question from the formal point of view: the interaction of the luminaries with the space, with Análisis personal previo de la imagen: Preliminary personal analysis of the image: Tamaño luminarias/size of the luminaries: Tamaño espacio/size of the space: Temperatura de color/color temperature: (1= frío, 5= cálido)/(1= cold, 5= warm) Contraste/contrast: Sombras/shadows: Deslumbramiento/glare: Relación entre el color de la luz y los materiales/ Relation between color of light and materials: 1 2 1 2 1 2 1 2 1 2 1 2 1 2 3 4 5 3 4 5 5 3 4 3 4 5 3 4 5 3 4 5 3 4 5 Club Whampoa. Changai. Alan Chan design.