66|A FONDO a globalized point of attention. A point which holds infinity of geometries and becomes the womb that welcomes us and offers us safety and comfort. Halfway, and sited in a decontextua- lized way, the businesses that form the center offer, they are single competing points among them. The micro dimension of the point acquires a character of pause; stop, for targeting the rest elements that let you enjoy relaxing moments, or rather reco- vering because the micro at any time is decontextualized by the macro. The concept of line implies in itself a dynamic, physical or visual. It means, with respect to the perceiver, a vision of a visual trip. Circulations, through which the user accesses the different areas, or appro- aching along the commercial-cultural- gastronomic offer of the center. The line implies dynamic mobility, transit, continuity and, at a visual level is established as an area where the light should accompany, not compete, especially with the point in its different aspects. The line, in turn, allows circumscri- bing spaces, facilitates movement, and establishes the relationship between adjacent and or near spaces. We basically meet two types of lines: “The vertical areas used in a backlit way, provide communication, generate visibility and are a clear reflection of the light- architecture junction.”